Painted in 1939, Oil on Canvas, 67x67 inches. It was believed to be an expression of Frida's feelings about her divorce with Diego Rivera. This was the first large-scale self portrait she has ever done. Frida wore her heart on her sleeve & in this case it was literally almost. On the right, the Frida is holding a small portrait of Diego. It relates to Drawing because first off it's a self portrait which we're about to do. And it's a very expressive painting with how Frida felt. This painting illustrating a literal split between her two
selves is from this period of turmoil & self-doubt. The composition is
striking. On the right is the Mexican Frida in traditional tehuana dress. On
the left is European Frida in a colonial white dress, possibly intended to be wedding
garb. The two women are seated on a green bench, holding hands. The
anatomy of their hearts is superimposed on them both; the one belonging to the
European self is seen through a hole in her dress at the breast. A blood line
originates at a cameo of Diego as a child held by the Frida on the right. It
twines between them both & is ultimately terminated by a medical implement
held by the Frida on the left. Blood stains intermingle with the red flowers at
the hem of the dress. I choose this because I love how she expresses herself is so bold & something that I've never seen or would think of doing with a self portrait.
Frida Kahlo said "Since my subjects have always been my
sensations, my states of mind and the profound reactions that life has been
producing in me, I have frequently objectified all this in figures of myself,
which were the most sincere and real thing that I could do in order to express
what I felt inside and outside of myself."
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